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<p>For three weeks in the summer of 2012 filmmakers Cory James Krueckeberg and Tom Gustafson (the producer/director behind the cute 'MARIACHI GRINGO' and the gay cult film 'WERE THE WORLD MINE') followed two guys all over New York with a camera and a script and nothing else.</p>
<p>By Roger Walker-Dack | 13th June 2014</p><p>★★★★★</p><p></p><p>
</p><p><img src="http://www.thegayuk.com/communities/8/004/009/928/388/images/4610784606.jpg" width="460" height="345" alt="The Go Doc Project" title="The Go Doc Project"/></p>
<p></p><p>Tanner, a slightly nerdy recent College Grad had devised a plan to shoot a documentary about the NYC nightlife scene in order to meet a really hot go-go guy that he has cyber-obsessed with. And this is the film about their film.</p><p> </p><p>They followed the couple filming each other all over the city in cafes and bars, rooftops, dance clubs, their own living rooms and bathrooms and eventually into their bedrooms too. As the story developed and the relationship between 'Go' and 'Doc' evolved in front of us, there is a very definite, and somewhat unexpected, shift in the power axis between the two men.</p><p></p><p>
</p><p><img src="http://www.thegayuk.com/communities/8/004/009/928/388/images/4610783680.jpg" width="461" height="273" alt="The Go Doc Project" title="The Go Doc Project"/></p>
<p></p><p>This really is guerrilla filmmaking at its best. No crew, a kickstarter budget of $10K, one actor and one real life go-go boy in an innovative hybrid of documentary, narrative and art film that is such a delight. Following hot on the heels of movies such as 'WEEKEND' 'KEEP THE LIGHTS ON' and 'HORS LES MURS' this wee drama is part of a very welcome new movement of edgy queer cinema.</p><p></p><p>By no means perfect (like the editing!) but it has many things to really love... such as a rather brilliant soundtrack of new music from gay musicians... not to forget the acting of these two young leads who are not exactly tough on the eye to watch even with their clothes on. It also packs an energy and excitement that is quite infectious.</p><p></p><p>The future of gay cinema looks very promising indeed when new work like this is being made... and finding the audience it deserves.</p><p></p><p>Read the interview with <a href="http://thegayuk.com/magazine/4574334751/INTERVIEW-Cory-Krueckeberg/8262171">Cory Krueckeberg here</a></p><p></p><p>
</p>
For three weeks in the summer of 2012 filmmakers Cory James Krueckeberg and Tom Gustafson (the producer/director behind the cute 'MARIACHI GRINGO' and the gay cult film 'WERE THE WORLD MINE') followed two guys all over New York with a camera and a script and nothing else.
By Roger Walker-Dack | 13th June 2014
★★★★★
Tanner, a slightly nerdy recent College Grad had devised a plan to shoot a documentary about the NYC nightlife scene in order to meet a really hot go-go guy that he has cyber-obsessed with. And this is the film about their film.
They followed the couple filming each other all over the city in cafes and bars, rooftops, dance clubs, their own living rooms and bathrooms and eventually into their bedrooms too. As the story developed and the relationship between 'Go' and 'Doc' evolved in front of us, there is a very definite, and somewhat unexpected, shift in the power axis between the two men.
This really is guerrilla filmmaking at its best. No crew, a kickstarter budget of $10K, one actor and one real life go-go boy in an innovative hybrid of documentary, narrative and art film that is such a delight. Following hot on the heels of movies such as 'WEEKEND' 'KEEP THE LIGHTS ON' and 'HORS LES MURS' this wee drama is part of a very welcome new movement of edgy queer cinema.
By no means perfect (like the editing!) but it has many things to really love... such as a rather brilliant soundtrack of new music from gay musicians... not to forget the acting of these two young leads who are not exactly tough on the eye to watch even with their clothes on. It also packs an energy and excitement that is quite infectious.
The future of gay cinema looks very promising indeed when new work like this is being made... and finding the audience it deserves.
<p>For three weeks in the summer of 2012 filmmakers Cory James Krueckeberg and Tom Gustafson (the producer/director behind the cute 'MARIACHI GRINGO' and the gay cult film 'WERE THE WORLD MINE') followed two guys all over New York with a camera and a script and nothing else.</p>
<p>By Roger Walker-Dack | 13th June 2014</p><p>★★★★★</p><p></p><p>
</p><p><img src="http://www.thegayuk.com/communities/8/004/009/928/388/images/4610784606.jpg" width="460" height="345" alt="The Go Doc Project" title="The Go Doc Project"/></p>
<p></p><p>Tanner, a slightly nerdy recent College Grad had devised a plan to shoot a documentary about the NYC nightlife scene in order to meet a really hot go-go guy that he has cyber-obsessed with. And this is the film about their film.</p><p> </p><p>They followed the couple filming each other all over the city in cafes and bars, rooftops, dance clubs, their own living rooms and bathrooms and eventually into their bedrooms too. As the story developed and the relationship between 'Go' and 'Doc' evolved in front of us, there is a very definite, and somewhat unexpected, shift in the power axis between the two men.</p><p></p><p>
</p><p><img src="http://www.thegayuk.com/communities/8/004/009/928/388/images/4610783680.jpg" width="461" height="273" alt="The Go Doc Project" title="The Go Doc Project"/></p>
<p></p><p>This really is guerrilla filmmaking at its best. No crew, a kickstarter budget of $10K, one actor and one real life go-go boy in an innovative hybrid of documentary, narrative and art film that is such a delight. Following hot on the heels of movies such as 'WEEKEND' 'KEEP THE LIGHTS ON' and 'HORS LES MURS' this wee drama is part of a very welcome new movement of edgy queer cinema.</p><p></p><p>By no means perfect (like the editing!) but it has many things to really love... such as a rather brilliant soundtrack of new music from gay musicians... not to forget the acting of these two young leads who are not exactly tough on the eye to watch even with their clothes on. It also packs an energy and excitement that is quite infectious.</p><p></p><p>The future of gay cinema looks very promising indeed when new work like this is being made... and finding the audience it deserves.</p><p></p><p>Read the interview with <a href="http://thegayuk.com/magazine/4574334751/INTERVIEW-Cory-Krueckeberg/8262171">Cory Krueckeberg here</a></p><p></p><p>
</p>
For three weeks in the summer of 2012 filmmakers Cory James Krueckeberg and Tom Gustafson (the producer/director behind the cute 'MARIACHI GRINGO' and the gay cult film 'WERE THE WORLD MINE') followed two guys all over New York with a camera and a script and nothing else.
By Roger Walker-Dack | 13th June 2014
★★★★★
Tanner, a slightly nerdy recent College Grad had devised a plan to shoot a documentary about the NYC nightlife scene in order to meet a really hot go-go guy that he has cyber-obsessed with. And this is the film about their film.
They followed the couple filming each other all over the city in cafes and bars, rooftops, dance clubs, their own living rooms and bathrooms and eventually into their bedrooms too. As the story developed and the relationship between 'Go' and 'Doc' evolved in front of us, there is a very definite, and somewhat unexpected, shift in the power axis between the two men.
This really is guerrilla filmmaking at its best. No crew, a kickstarter budget of $10K, one actor and one real life go-go boy in an innovative hybrid of documentary, narrative and art film that is such a delight. Following hot on the heels of movies such as 'WEEKEND' 'KEEP THE LIGHTS ON' and 'HORS LES MURS' this wee drama is part of a very welcome new movement of edgy queer cinema.
By no means perfect (like the editing!) but it has many things to really love... such as a rather brilliant soundtrack of new music from gay musicians... not to forget the acting of these two young leads who are not exactly tough on the eye to watch even with their clothes on. It also packs an energy and excitement that is quite infectious.
The future of gay cinema looks very promising indeed when new work like this is being made... and finding the audience it deserves.
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