Review of Machine Dazzle’s solo exhibit, Queer Maximalism

By Mike Dressel
Spread out over two full gallery floors like synthetic blossoms, the exhibit was comprised of over eighty creations built for performance; the costumes displays queered the notion of what theatrical design can be, blending found materials and foundational concepts with a spirit of radical reinvention. The post Review of Machine Dazzle’s solo exhibit, Queer Maximalism appeared first on The Gay & Lesbian Review.