By M. Denny A. B.

Acknowledging the audience’s pessimistic comments is not to critique Julie Mehretu’s rigor and work—it is clear she has made and will continue to make her mark in the art world. But how does her resonance to Édouard Glissant’s “right to opacity” uphold when her final piece lies in front of a transparent window? To observe and be observed all at once?

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